FUTURE STYLE




YAMAHA 01v96
Digital Mixing Console 24-bit, 96kHz Performance
Integrated ADAT Connectivity, 40 Channels of Simultaneous Mixing

The 01V96 will be available in April 2003




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In over a decade, Yamaha has created a legacy of digital mixing products that include the ProMix 01, 01V, 02R and 03D digital mixers. With high sample rate digital source material and ultra-accurate reproduction media becoming the new standard, Yamaha again released PM1D and the AW Series digital audio workstations, followed by the 02R96, DM2000 and DM1000 digital mixers. Yamaha Professional Audio presented a new member to its digital mixer family with the Winter NAMM 2003 : the 96kHz capable 01V96.
The 01V96 is a mixer for small-to-medium permanent or mobile installations, with significant upgrades that include improved sound quality plus new computer and ADAT interfaces.
The rack-mountable 01V96 features 40 simultaneous mixing channels with full resolution 24-bit/96 kHz audio, a range of stereo effects with 32-bit internal processing and full automation. The control surface, large display screen and user interface allow analog-style hands-on operation, with eight user-defined keys available for assignable functions.
Inputs 1-32 feature fully independent gating/compression processors, four-band fully parametric EQ, delay and two pre-EQ/post-delay insert points. Stereo inputs 1-4 feature parametric EQ. Up to four of the built-in effect processors (two at 96kHz) may be used simultaneously. Up to 99 scene memories are available to store complete snapshots of all console settings for instant recall. Separate memory "libraries" are included for storage of EQ, dynamics, input and output patching and effects settings. In addition to snapshot capability, an external sequencer can be used to record real-time movement of the motorized faders, EQ settings and other parameters, allowing complete mix automation.
The 17 precision 100-millimeter motorized channel faders can be instantly layer-switched to control any input or output. All available inputs, outputs, effects, and channel inserts can be assigned to any channel or output via a digital patching system. A direct out function allows signal from any input channel to be routed to any digital or analog output.
The 01V96 also integrates with digital audio workstations and provides extensive support for DigiDesign ProTools, Nuendo and other popular computer-based recording software. A significant upgrade is the inclusion of ADAT I/O, eliminating the need for a dedicated expansion card. Bundled Yamaha Studio Manager software is compatible with both Macintosh and Windows platforms.
For further expansion, a single I/O slot will accept any existing or new Mini-YGDAI digital and analog I/O cards, including third party cards, providing up to 16 inputs and outputs at 48 kHz (8 at 96kHz). The 01V96 is also compatible with the Waves Y56K expansion card, recently introduced to enhance the capabilities of Yamaha's AW Series digital audio workstations.

Features

24-bit/96-kHz Performance

You can work at 44.1 kHz, 48 kHz, 88.2 kHz, or 96 kHz, depending on the needs of each

It includes a comprehensive range of 96-kHz compatible stereo effects with 32-bit internal processing.

24 Analog and Digital Channel Input. Expandable to 40

01V96 has 16 analog channe inputs : 12 with microphone amplifiers and 8 digital channel inputs via a built-in ADAT optical interface. The first 12 analog channels will accept microphone signals or balanced/unbalanced line-level signals, while the remaining four channels can be used either as individual balanced/unbalanced line inputs or two stereo pairs. When you

need more, Yamaha offers a range of Mini-YGDAI expansion cards that can simply be plugged into the 01V96 expansion slot to provide additional I/O in a variety of formats: ADAT, AES/EBU, TDIF or analog.

20-bus Configuration
The 01V96 offers a main stereo program bus, eight individual mixing buses, two solo buses, and eight auxiliary buses - a total of 20 in all.This gives you plenty of signal-routing options to adapt to just about any mixing requirements.

Built-in ADAT Optical Interface
01V96 comes with an industry-standard ADAT optical digital I/O interface built right in , no options necessary. ADAT "Lightpipe" optical I/O is standard on a wide range of current digital sound gear, so you can simply plug in via optical cables for 8 digital inputs and 8 digital outputs that will handle your digital signals. Additional optical I/O capacity can be added via the 01V96 expansion slot, as necessary.

Digital Patching
All available inputs, outputs, effects, and channel inserts can be assigned to any of the console's channels or outputs via the 01V96's versatile, easy-to-use digital patching system. For example, any of the effect processors can be assigned to an auxiliary bus for send-type operation, or inserted directly into any input channel as required. A direct out function also allows the signal from any of the input channels to be routed directly to any digital or analog output. The eight auxiliary buses can also be patched to anywhere in the system. Centralized control means you'll never have to run around to physically re-patch cables whenever you need to reconfigure the system, and patch setups you might want to use again can be stored in the 01V96 "patch library" for instant recall at any time.

99-Scene Memory
Complete console setups can be memorized and instantly recalled via the 01V96 SCENE MEMORY controls. Memory is provided for up to 99 scenes. In addition to recalling scenes from the panel controls you can recall them remotely via MIDI program change messages, providing a handy degree of automation capability.

Integrated DAW Control
The 01V96 has been designed to integrate with leading digital audio workstations to create a complete production and mixing
environment. Extensive support is provided for Digidesign's Pro Tools system as well as Steinberg's Nuendo DAW (full control of
mixing and processing parameters, as well as transport/track-arming control and access to editing functions) directly from the 01V96) control surface. There's also a "General DAW" mode that provides compatibility with other workstations.

Internal Effects Fully Support 96-kHz Processing
You could use external digital effect processors with the 01V96, but what's the point when it features top-performance 24-bit/96kHz effect processors built-in? Also, you're going to compromise audio quality if you have to convert down to a lower sampling rate for effect processing - which is exactly what's going to happen if you use hardware or software processors that don't offer 24-bit/96kHz performance anywhere in your signal chain. That's why Yamaha included a comprehensive range of 96-kHz compatible stereo effects in the 01V96. You can use two effects simultaneously at 88.2/96- kHz, and up to four effects at lower sampling frequencies.

Compression, Gating, EQ and Delay
All input channels on the 01V96 feature flexible, independent compression and gating/ducking processors for dynamics control. All bands on the 4-band parametric channel equalizers are fully sweepable from 20 Hz to 20 kHz, with bandwidth variable from 0.1 to 10 and a +/-18dB gain range for equalization flexibility. The channel delays also go well beyond the norm, with a maximum delay of 452 milliseconds (96 kHz mode). Even the stereo bus, eight mix buses, and eight aux buses have individual compression and EQ.

Expandable Data Libraries
Setting up EQ, compression, and other parameters: an extensive selection of presets in a range of "libraries" that can simply be selected and used unmodified, or edited to suit specific requirements. Libraries are provided for effects, compression, gating, EQ, I/O patching, and channel setups. Of course, your own setups can be added to the libraries for instant recall whenever they are needed.

01V96 Cascade Link
When you really need high capacity, particularly for sound reinforcement applications, the 01V96 offers "01V96 Cascade Link" capability that allows two 01V96 units to be cascaded to create up to an 80-channel mixing system .

Surround Panning
Surround is becoming an important part of modern sound production. The 01V96 features 6.1, 5.1 and 3-1 surround panning modes so you can create surround mixes.

Studio Manager Software Supplied
The 01V96 comes supplied with Yamaha's Studio Manager software application for both Macintosh and Windows platforms. Studio
Manager gives you complete access to all parameters for either on-line or off-line control, and the program's visual interface makes it easy to relate on-screen controls to the corresponding console functions. The Studio Manager can also be used to manage an extensive archive of mix data.

Large LCD Panel
The new 01V96 display is a high-resolution 320 x 240 dot LCD panel that provides easy visual access to all of the consoles functions and parameters. Many parameters are displayed graphically so you can see what's happening at a glance: EQ curves and compression parameters are especially "readable" in this format.
Display Access
The DISPLAY ACCESS keys determine which type of data will be shown on the LCD panel (a total of 12 selectable categories). This
approach minimizes the need to scroll through on-screen lists when you need access to a particular type of data.

Channel Strips 100-mm Motor Faders
The 16 channel strips on the 01V96 panel provide access to the most essential operations for the corresponding channels. Depending on the currently selected layer, the channel strips will control channels 1 through 16, channels 17 through 32, or the eight AUX sendsand eight buses (the "Master Layer"). Also the channel faders will function according to the settings in the FADER MODE section. In addition to a 100-millimeter motor fader, each channel strip includes a channel ON/OFF key, a SOLO key, and a SEL key that assigns the channel as the console's "selected channel". Detailed panning and EQ control for the currently selected channel is available via the SELECTED CHANNEL controls. The master STEREO fader is also a 100-mm motor type, with its own ON and SEL keys.

Layer-switching For 32-channel + Aux/Bus Fader Access
One of the advantages of digital control is that it allows extraordinary power and flexibility to be packed into minimum space. The 01V96 has 17 physical 100-millimeter motor faders. The first 16 can be instantly switched to handle input channels 1 through 16, 17 through 32, or auxiliary sends 1 through 8 and buses 1 through 8, via the console's LAYER switches. There's also a ST IN layer switch that switches between the stereo 1/2 or 3/4 inputs for the stereo layer controls.

Fader Mode
The FADER MODE keys allow the 01V96 faders to be instantaneously switched between fader and auxiliary level control. And because the faders feature fast, precise motor-drive mechanisms they immediately respond by flying to the appropriate settings for the selected mode.

User Defined Keys
These 8 keys can be assigned to control any functions you choose. You could, for example, use them to recall input patch setups, to
arm MTR tracks for recording, or to handle locator functions. When the REMOTE layer is selected, the USER DEFINED KEYS are
automatically assigned to Pro Tools control functions by default.

Rear Panel
The rear panel is home to balanced analog stereo and monitor outputs as well as four balanced "omni" outputs. The optical IN and OUT connectors for the 01V96's built-in ADAT interface are also located on the rear panel. There are also digital 2-track inputs and outputs featuring coaxial connectors. On-board sample rate conversion allows CD players and other digital sources connected to the digital input to be monitored or routed to an input channel without having to be synchronized to the system clock. A range of synchronization and control options are available via word clock inputs and outputs, MIDI connectors, and a USB "TO HOST" connector which can be used for computer control via the supplied Studio Monitor software. The rear panel also has an expansion slot which will accept a wide range of Yamaha mini-YGDAI expansion cards that can add up to 16 additional channels in a variety of formats.




larger size


Dimensions
mm. 436 (W) x 540 x 150 (H)





Yamaha Corporation of America, Pro Audio & Combo Division, Professional Audio
P.O. Box 6600, Buena Park, CA 90622; telephone (714) 522-9011
info e-mail



 

GENERAL SPECIFICATION

Number of scene memories

99

Sampling Frequency

Internal

44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz

External

Normal rate 44.1 kHz -10% &endash; 48 kHz + 6%
Double rate 88.2 kHz - 10% - 96 kHz + 6%

Signal Delay

≤1.6 ms CH INPUT to STEREO OUT (@Sampling frequency = 48 kHz)
≤0.8 ms CH INPUT to STEREO OUT (@Sampling frequency = 96 kHz)

Fader

100mm motorized x 17

Total Harmonic Distortion*
Input Gain=Min.

CH INPUT to STEREO OUT
.0.005% 20 Hz to 20kHz @+14 dB into 600 ohm
.0.01% 1kHz @+24 dB into 600 ohm
(@Sampling frequency = 48 kHz)

.0.005% 20 Hz to 40kHz @+14 dB into 600 ohm
.0.01% 1kHz @+24 dB into 600 ohm
(@Sampling frequency = 96 kHz)

Frequency Response

CH INPUT to STEREO OUT
0.5-1.5dB 20Hz - 20khz @+4 dB into 600 ohm (@Sampling frequency = 48 kHz)
0.5-1.5dB 20 Hz - 40khz @+4 dB into 600 ohm (@Sampling frequency = 96 kHz)

Dynamic Range
(maximum level to noise level)

110 dB typ. DA Converter (STEREO OUT)
105 dB typ. AD+DA (to STEREO OUT) @FS = 48 kHz
105 dB typ. AD+DA (to STEREO OUT) @FS = 96 kHz

Hum & Noise**
(20Hz-20kHz
Rs=150 ohm
Input Gain = Max.
Input Pad = 0dB 
Input Pad = 0dB
Input Sensitivity = - 60dB

-128dB equivalent input noise
-86dB residual output noise STEREO OUT
STEREO OUT off
-86dB (90dB S/N) STEREO OUT
STEREO fader at nominal level and all CH INPUT faders at minimum level
-64dB (68dB S/N) STEREO OUT
STEREO fader at nominal level and all CH INPUT faders at minimum level

Maximum Voltage Gain

74dB CH INPUT (CH1-12) to STEREO OUT/OMNI (BUS) OUT
40dB CH INPUT (CH13-16) to STEREO 
74dB CH INPUT (CH1-12) to OMNI (AUX) OUT (via pre input fader)
74dB CH INPUT (CH1-12) to MONITOR OUT (via STEREO BUS)

Crosstalk (@1kHz)
Input Gain=Min.

80dB adjacent input channels (CH1-12)
80dB adjacent input channels (CH13-16)
80dB input to output

Power Requirements

USA 120V  90W 60 Hz

Dimensions

16.92"(W) x 21.25"(D) x 5.90"(H)

Weight

33.6 lbs

Operating free-air temperature range

10-35oC

Storage temperature range

-20-60oC

* Total Harmonic Distortion is measured with a 6 dB/octave filter @80 kHz.
** Hum & Noise are measured with a 6 dB/octave filter @12.7 kHz; equivalent to a 20 kHz filter with infinite dB/octave attenuation.

 

LIBRARIES

 

Number of factory presets

Number of user libraries

Effect libraries (EFFECT1-4)

44

76

Compressor libraries

36

92

Gate libraries

4

124

EQ libraries

40

160

Channel libraries

2

127

Input patch libraies

1

32

Output patch libraires

1

32

 

ANALOG INPUT CHARACTERISTICS

Input
Terminals

PAD

GAIN

Actual
Load
Impedance

For Use
With
Nominal

Input Level

Connector
in
Console

Sensitivity*1

Nominal

Max. before
Clip

CH INPUT
1- 12

0

-60dB

3k ohm

50-600 ohm
Mics &
600 ohm
Lines

-70dB(0.245mV)

-60dB(0.775mV)

-40dB(7.75mV)

A:XLR-3-31type
(Balanced)*2
B:Phone Jack (TRS)
(Balanced)*3

-16dB

-26dB(38.8mV)

-16dB(123mV)

+4dB(1.23V)

20

-6dB(388mV)

+4dB(1.23mV)

+24dB(12.28V)

CH INPUT 13-16

-26dB

10k ohm
600 ohm
Lines

-36dB(12.3mV)

-26dB(38.8mV)

-6dB(388mV)

Phone Jack (TRS)
(Balanced)*3

+4dB

-6dB(388mV)

+4dB(1.23V)

+24dB(12.28V)

CH INSERT IN 1-12

10k ohm

600 ohm
Lines

-6dB(388mV)

+4dB(1.23V)

+24dB(12.28V)

Phone Jack(TRS)
unbalanced)*4

2TR IN (L,R)

10k ohm

600 ohm
Lines

-10dBV(316mV)

-10dBV(316mV)

+10dBV(3.16V)

RCA Pin Jack
(Unblanced)

*1. Sensitivity is the lowest level that will produce an output of + 4 dB (1.23 V) or the nominal output level when the unit is set to maximum gain.(all faders and level controls are maximum position.)
*2. XLR-3-31 type connectors are balanced. (1 = GND, 2 = HOT, 3 = COLD) 
*3. Phone jacks are balanced. (Tip = HOT, Ring = COLD, Sleeve = GND) 
*4. CH INSERT IN/OUT phone jacks are unbalanced. (Tip = OUTPUT, Ring = INPUT, Sleeve = GND) 
ï In these specifications, when dB represents are specific voltage, 0 dB is referenced to 0.775 Vrms. 
ï For 2TR IN levels, 0 dBV is referenced to 1.00 Vrms. 
ï All input AD converters (CH INPUT 1&endash;16) are 24bit linear, 128times oversampling (@fs = 44.1, 48 kHz). 
ï +48 V DC (phantom power) is supplied to CH INPUT 1&endash;12 XLR type connectors
. 3 PHANTOM + 48 V switches CH1&endash;4, 5&endash;8, 9&endash;12 turn on the phantom power for inputs 1&endash;4, 5&endash;8, 9&endash;12 respectively.

 

ANALOG OUTPUT CHARACTERISTICS

Output
Terminals 

Actual
Source Impedance

For Use
With
Nominal

Output Level

Connector
in
Console

Nominal

Max.
before
clip

STEREO
OUT (L,R)

150 ohm

600 ohm
Lines

+4dB(1.23V)

+24dB(12.28V)

XLR-3-32 type
(Balanced)*1

OMNI OUT 1-4

150

600 ohm
Lines

+4dB(1.23V)

+24dB(12.28V)

Phone Jack (TRS) 
(Balanced)*2

MONITOR
OUT (L,R)

150 ohm

600 ohm
Lines

+4dB(1.23V)

+24dB(12.28V)

Phone Jack (TRS) 
(Balanced)*2

CH INSERT
OUT 1-12

600 ohm

10k ohm
Lines

+4dB(1.23V)

+24dB(12.28V)

Phone Jack (TRS) 
(Unbalanced)*3

2TR OUT
(L,R)

10k ohm

600 ohm
Lines

-10dBV(316mV)

+10dBV(3.16V)

RCA Pin Jack
(Unbalanced)

PHONES

100 ohm

8 ohm

4mW

25mW

Stereo Phone Jack
(TRS) (Unbalanced)*4

40 ohm

12mW

75mW

*1. XLR-3-32 type connectors are balanced. (1 = GND, 2 = HOT, 3 = COLD )
*2. Phone jacks are balanced. (Tip = HOT, Ring = COLD, Sleeve = GND ) 
*3. CH INSERT IN/OUT phone jacks are unbalanced. (Tip = OUTPUT, Ring = INPUT, Sleeve = GND) 
*4. PHONES stereo phone jack is unbalanced. (Tip = LEFT, Ring = RIGHT, Sleeve = GND) 
ï In these specifications, when dB represents are specific voltage, 0 dB is referenced to 0.775 Vrms. 
ï 2TR OUT [L, R], 0 dBV is referenced to 1.00 Vrms. 
ï All output DA converters are 24 bit, 128 times oversampling (@fs = 44.1, 48 kHz).

 

DIGITAL INPUT CHARACTERISTICS

Terminal

Format

Data Length

Level

Connector in Console

2TR IN DIGITAL

IEC-60958

24 bit

0.5 Vpp/75 ohm

RCA Pin Jack

ADAT IN

ADAT *1

24 bit

-

OPTICAL

*1. ALESIS® Proprietary Multichannel Optical Digital Format

DIGITAL OUTPUT CHARACTERISTICS

Terminal

Format

Data Length

Level

Connector in Console

2TR IN DIGITAL

IEC-60958 *1
Consumer use

24 bit *2

0.5Vpp/75 ohm

RCA Pin Jack

ADAT OUT

ADAT *3

24 bit

-

OPTICAL

*1. channel status of 2TR OUT DIGITAL
type : linear PCM
category code : Digital signal mixer
copy prohibit : NO
emphasis : NO
clock accuracy : Level II (1000 ppm)
sampling rate : depends on the internal configuration
*2. dither : word length 16/20/24 bit
*3. ALESIS Proprietary Multichnnel Optical Digital Interface Format. 

CONTROL I/O CHARACTERISTICS

Terminal

Format

Level

Connector in Console

TO HOST USB

USB

0 V &endash; 3.3 V

B type USB connector

MIDI

IN *1

MIDI

-

DIN Connector 5P

OUT

MIDI

-

DIN Connector 5P

THRU

MIDI

-

DIN Connector 5P

WORD CLOCK

IN

-

TTL/ 75  ohm

BNC Connector

OUT

-

TTL/ 75  ohm

BNC Connector

*1. MIDI IN can use as TIME CODE IN MTC.

Available Mini-YGDAI card specifications

* Guidance on the use of Mini-YGDAI cards http://www2.yamaha.co.jp/div/webmg/pa_card/e/check.php3

Maker

Model

Function

Input

Output*1

Format

Reso-lution

Frequency

The # of avail-able cards

Note

Yamaha

MY8-AT

Digital I/O

8

8

ADAT

20 bit

44.1/48 kHz

1

Can handle 24 bit/96 kHz by double channel mode

MY8-TD

Digital I/O

8

8

TASCAM

24 bit

44.1/48 kHz

1

Can handle 24 bit/96 kHz by double channel mode

MY8-AE

Digital I/O

8

8

AES/EBU

24 bit

44.1/48 kHz

1

Can handle 24 bit/96 kHz by double channel mode

MY4-AD

ANALOG IN

4

-

-

24 bit

44.1/48 kHz

1

 

MY8-AD

ANALOG IN

8

-

-

20 bit

44.1/48 kHz

1

 

MY4-DA

ANALOG OUT

-

4

-

20 bit

44.1/48 kHz

1

 

MY8-AD24

ANALOG IN

8

-

-

24 bit

44.1/48 kHz

1

 

MY8-AD96

ANALOG IN

8

-

-

24 bit

44.1/48/88.2/96 kHz

1

 

MY8-DA96

ANALOG OUT

-

8

-

24 bit

44.1/48/88.2/96 kHz

1

 

MY8-AE96S

Digital I/O

8

8

AES/EBU

24 bit

44.1/48/88.2/96 kHz

1

Sampling Rate Converter for input

MY8-AE96

Digital I/O

8

8

AES/EBU

24 bit

44.1/48/88.2/96 kHz

1

 

MY8-mLAN

mLAN Interface

8

8

IEEE1394

24 bit

44.1/48 kHz

1

Maximum 5 Nodes

MY16-AT

Digital I/O

16

16

ADAT

24 bit

44.1/48 kHz

1

Can handle 24 bit/96 kHz by double channel mode

MY16-AE

Digital I/O

16

16

AES/EBU

24 bit

44.1/48 kHz

1

Can handle 24 bit/96 kHz by double channel mode

MY16-TD

Digital I/O

16

16

TASCAM

24 bit

44.1/48 kHz

1

Can handle 24 bit/96 kHz by double channel mode

Waves

Y56K

Effect & I/O

8

8

ADAT

24 bit

44.1/48 kHz

1

 

Apogee

AP8AD

ANALOG IN

8

-

-

24 bit

44.1/48/88.2/96 kHz

1

4ch @fs = 88.2, 96 kHz

AP8DA

ANALOG OUT

-

8

-

24 bit

44.1/48/88.2/96 kHz

1

4ch @fs = 88.2, 96 kHz

*1. Selectable from STEREO/BUS/AUX/DIRECT OUT/INSERT OUT/CASCADE OUT (STEREO, BUS1-8, AUX1-8, SOLO). See the userís manual for further information.
ï Details depend on each interface card.

 

ï Specifications and appearance subject to change without notice.
ï All trademarks and registered trademarks are property of their respective owners.
  Windows® is a trademark of Microsoft Coporation.
  Macintosh® is a trademark of Apple Computer, Inc.
  Nuendo® is a trademark of Steinberg Media Technologies AG.
  Pro Tools® and Digidesign® are trademarks of Avid Technology Inc.
  Adat is trademark of Alesis Corporation.
  Tascam, TDIF are trademarks of Teac Corporation.




advanced technologic sound magazine
2003 february issue 111


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